Chincoteague: The Island That Keeps Calling Me Back

There are places you visit, and there are places that claim you.

Chincoteague Island claimed me a long time ago, long before I understood how deeply it was woven into my family's story.

My connection to this small barrier island off the coast of Virginia didn't start with a research trip. It started with family. There's this unique kind of belonging that settles into your bones when a place is part of where you come from, not just somewhere you've been.

I grew up hearing about Chincoteague the way some families talk about a hometown. The clams and oysters. Shopping on Main Street. Taking a boat out to bird watch. And of course, the famous annual Wild Pony Swim to thin out the herd on neighboring Assateague Island. In the stories, I heard a mixture of affection and familiarity and something that feels almost like ownership.

As a child, limited perspectives frame the experiences, and I always recalled the wonder and excitement of visiting the island, mainly because my grandfather was born there. But there were so many fun things to do and see as well. When I returned as an adult with fresh eyes and a writer's attention, it was like meeting someone I already knew.

What the Island Feels Like

Chincoteague moves at its own pace, and no one apologizes for that. I don't think they should, either. That pace is hard-wired into what makes the island unique.

The rhythm there is tied to the water, for the most part. To the tides that shift the light on the marshes twice a day, to the fishing boats that head out before most visitors are awake, to the particular quality of silence that settles over the harbor in the early morning before the island fully rouses itself.

It's the kind of place where you notice things you'd walk right past anywhere else. The weathered paint on a waterfront building. The way the tall grass bends in the marsh wind. The sound of gulls announcing the morning with more enthusiasm and excited flare than necessary.

I've stood on that waterfront in the early hours with a notebook in hand, writing down details I didn't want to lose. At the time, I had no idea where they'd go, but I did know they needed to be kept.

That's what Chincoteague does. In its own quiet, charming way, it insists you pay attention to it.

Why I Decided to Put It in My Fiction

A place that holds personal history and sensory richness in equal measure is almost impossible to keep out of your writing. Chincoteague has found its way into my storytelling time and time again. In recent writing, I decided to take the stories to a full novel.

The story I'm working on now is set against that marshy background and small-town life where everyone carries a longer history with each other than they always let on. Chincoteague understands that quite well. Small communities have long memories. Relationships there carry weight and texture that a larger, more transient place doesn't accumulate in quite the same way.

For a novelist writing about two people with a complicated shared past, that kind of setting is pressure. It's context. It's a place that remembers things even when the characters would rather it didn't.

That has potential to be endlessly useful as a writer, and it's story progression gold when you need it most.

What Keeps Drawing Me Back

If I'm being honest, it's not just the writing that pulls me back to Chincoteague.

It's the feeling of standing somewhere that connects me to people and a history that existed long before I did. Given that I moved 9 times by the time I was 14 years old, and then 4 years later, continued to add to my list of moves by racking up another 9 that included 4 different states over the next 32 years, I can't exactly define my life by a single place I've called home.

There's something grounding about having that, though, especially in seasons when everything else feels uncertain or in motion. The island was there before me and will be there long after, doing exactly what it has always done. Rising with the tides, weathering the storms, going quietly about its own business in its unhurried way.

For a person of faith, there's something almost theological in that. A reminder that the world is larger and older than my particular corner of it, and there is steadiness to be found in places that have endured.

I'll keep going back. And I have a feeling the island will keep finding its way into my stories for a long time to come.

Is there a place that has pulled you back again and again? Somewhere that holds something special, just for you? I'd love to hear about it in the comments.

The Research Trip That Still Lives in My Head

Writers tend to collect experiences the way some people collect souvenirs.

A certain street corner. The smell of saltwater on the wind. The creak of wooden boards beneath your feet as you walk along a dock. Those details linger long after the trip ends, waiting for the moment when they can find their way into a story. It's probably why I'm more of an experience gal than a "stuff" gal.

One of the research trips that still lives vividly in my mind took me to a coastal town where the rhythm of life seemed tied to the tides. Fishing boats rocked gently in the harbor, and the air carried that unmistakable mix of salt and sun-warmed wood. So many of the sights and sounds took me back to my childhood, when I visited this little island and first learned about my family ties to it.

This time, I reserved a room at a quaint little B&B for two nights. I remember walking along the waterfront early one morning before most of the town had fully woken up. A few shopkeepers were opening their doors on Main Street, and gulls wheeled overhead, their squawks announcing the start of the day like a rooster's crow. Oh, there were a few of those too.

Moments like that are gold for a novelist.

Writers tend to notice things others might otherwise overlook. The color of the water shifting as the sun climbs higher, the way the breeze carries voices across the docks, the quiet conversations between locals who have known each other for years.

Research trips aren't always about gathering facts. Sometimes they’re about absorbing atmosphere.

On that particular visit, I carried a small notebook with me and jotted down details whenever something caught my attention. The sound of rigging tapping against a mast. The faded lettering on the side of an old boat. The scent of fresh coffee drifting from a café tucked into a corner building.

None of those details seemed important at the time. But months later, when I sat down to write a scene set along the shoreline, those small observations returned like old friends. Suddenly the setting felt alive because I wasn't inventing the world entirely from imagination. I could actually remember it...thanks to my notes.

Places Have Stories of Their Own

Every weathered building has witnessed laughter, loss, and everything in between. Every harbor or town square holds decades of quiet history beneath the surface. Part of a writer's job is simply to listen.

To walk through a place slowly enough that the atmosphere sinks in. To notice the little details that reveal character. That doesn't only come from the people who live there. It can also come from the setting itself. As a writer, I try to paint a setting in such a way that the reader goes there with me and imagines themselves standing right there with my characters.

That research trip reminded me that stories don't always contain intense, dramatic moments. Sometimes, the story is found in the quiet spaces between those moments. I mean, think of your favorite movie. It could be an action thriller or a small town romance. The entire movie isn't 100% constant action or constant drama. The script also layers in some lighthearted, relaxed moments to give viewers a chance to breathe or connect better with the characters on a different level.

A good setting can lend itself to those sliced-in moments. It's also often a place that sticks with you long after the story concludes. It lives and breathes and seems to have a life of its own. When you close your eyes, you can see the details clearly in your mind.

And for a storyteller, when I pay attention long enough, a place will tell me exactly the kind of story it wants to become.

Have you ever visited a place that stayed with you long after you left? Somewhere that felt like it held stories in the air? Share with me in the comments what location has lingered in your memory the most.